Jane Pinata free essay sample

Jane Doe How to Make a Pià ±ata SSP 1608 Adjunct Instructor Marsha Freedman January 10, 2012 Specific Purpose: At the end of the speech, the audience will understand how to make a custom pià ±ata for any fun occasion Central Idea: Making a pià ±ata is easy to make if you have the right materials, supplies, and following the instructions. Introduction: Where did the pià ±ata originate? Most people would guess Mexico but that is wrong. They actually came from China and Canada and were introduced by Marco Polo. Priests introduced the idea of pià ±atas to Mexico for religious reasons. A Mexican pià ±ata has seven cones on it that represent capital sins. The children beating the pià ±ata represent the good side of the world defeating the bad side. Nowadays, people not only use pià ±atas on Cinch De Mayo but at events like birthdays, holidays and celebrations. I had a pià ±ata at my eighth birthday party and remember how much fun it was hitting it and gathering up all the candy. We will write a custom essay sample on Jane Pinata or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Today I am going to be demonstrating step by step how to make a heart shaped pià ±ata for Valentines Day. First, you will learn the materials needed; second, the supplies; then anally the steps involved. At the end of this speech, will understand how to make a custom pià ±ata for any fun occasion l. Materials One balloon A. B. Newspapers Flour C. D. Water E. Candy and confetti F. Crepe paper G. Construction paper H. Duck tape Transition: Now that I have gone over the supplies needed, these are the tools to use: II. Tools A. Mixing bowl B. Spoon C. Measuring cups D. Hot glue gun Transition: Now that you know everything you will need, I am going to explain each step in order to make the heart shaped pià ±ata. Ill. Procedure A. Inflate your balloon. This step is to form the body of the pià ±ata so inflate it to the size you want the pià ±ata to be. B. Mix three cups of water with two cups of flour in the bowl until it is completely smooth. C. Cut newspapers into strips lunch thick strips and dip into mixture. D. Cover balloon with wet strips then let first layer dry and make a second layer leaving a small opening at the bottom to insert the stuffing later. E Eater the second layer is dry, tape on construction paper to the top and OTTOMH of the sphere to form a heart shape. F. Add on one more last layer to cover the entire balloon and cardboard and let it dry. G. Pop the balloon and remove it from inside the pià ±ata. H. Insert candy, goodies and confetti into the opening and tape close the opening. L. Decorate the outside with crepe paper using a hot glue gun. Conclusion: I enjoyed explaining the process that goes into making a pià ±ata. With my supply list, tool list, and nine steps you be able to create your very own custom pià ±ata. Remember you can pick any theme you want you dont have to go for the traditional Mexican pià ±ata. A cool different idea for someone who is healthy is to stuff it with fruit and protein bars! I hope this will inspire you to make a pià ±ata for your next celebration your guest will have a blast and be impressed you made it yourself! Transition: Now that I nave gone over the supplies n deed, these are the tools to use: later. E. After the second layer is dry, tape on construction paper to the top and

The Great Gatsby Dreams Essays - The Great Gatsby, Daisy Buchanan

The Great Gatsby Dreams The Great Gatsby ?Dreams? The Great Gatsby by F. Scott Fitzgerald, is a novel about the American Dream. In the Great Gatsby, the dream is that one can acquire happiness through wealth and power. To get his happiness Jay attempts to reacquire the love of his lost sweet heart, Daisy. The main problem with Jay's dream is that Daisy is all ready married. Gatsby's personal dream symbolizes the larger American Dream ?The pursuit of happiness?. Jay Gatsby longs for the past. Surprisingly he devotes his adult life trying to recapture it and dies in its pursuit. In the past, Jay had a love affair with a young rich girl, Daisy. Daisy and Jay had fallen in love with each other in spite of knowing that they could not marry because of the difference in their social status. For the first time in Jay's life he was truly happy. During their courtship, Jay was sent off to war. Upon returning from the war, Jay found out that Daisy had married a wealthy man by the name of Tom Buchannon. Jay then spends his life acquiring wealth to reach her economic standards, in hope that he can marry her and rekindle the happiness that he once had. His love for Daisy was impossible in society because he was at present a penniless young man without a past?he had no comfortable family standing behind him (156). Gatsby encounters his dream of love at this point of his life. He knew that at that time a relationship of love was impossible with Daisy due to his low social standing. Gatsby became determined to breach that gap between them in order to have a loving relationship with Daisy. He did reach the physical circumstances necessary to love her, but he had focused too much on money and power the previous five years of his life. He wanted his love with Daisy to flourish. Unfortunately, he had lost the ability to love. He no longer possessed moral integrity or the ability to handle a relationship. Society is often broken up into different social groups by their economic status. Those of lower classes believe that their problems will go away if they can gain enough wealth to reach the upper class. Many people believe that the American Dream is this joining of the upper class, and once reaching that point, not having to be concerned about money at all. The logic behind this is that being poor keeps people from being happy, and once you become rich, you do not have to struggle with the problems of life, and can therefore be happy. The Great Gatsby takes this belief, and shows its flaws through the lives of Jay, Tom and Daisy. In fact, all of the characters in the story are affected in some way by the lives of these three characters. Gatsby makes becoming an upper class citizen his priority. The life of the upper class in turn, makes the acquisition of wealth their priority. Wealth becomes Jay's vehicle in his quest for his primary goal, Daisy. In Gatsby's rise to power morality is sacrificed in order to attain wealth. While the story does not go into great detail as to how Gatsby's wealth was accumulated, it can easily be seen that his business ventures were shady at best. Gatsby's dream was doomed to failure because of his lack of principles. This shows a major flaw of the American Dream philosophy, just like the get rich quick schemes of today, Jay is trying to buy Daisy's love, not earn it. Nick attempts to tell Jay that his dream is pointless by saying that the past cannot be relived. Jay quickly told Nick, Yes you can, old sport. This shows the confidence that Jay has in fulfilling his American Dream, and his commitment to it. Tom Buchanan, Daisy's husband, was a man from an enormously wealthy family. Nick, described Tom's physical attributes as having a hard mouth and a supercilious manner?arrogant eyes had established dominance over his face?always leaning aggressively forward?a cruel body?his speaking voice?added to the impression of fractiousness he conveyed (11). The wealth Tom has inherited causes him to become arrogant and condescending to others. Tom believed that

Chain of Metaphors A Christmas Carol CD essays

Chain of Metaphors A Christmas Carol CD essays "A Christmas Carol" by Charles Dickens, is a story that is rich in metaphors that ultimately questions the morals and ethics of the authors society during the time of hislife, the industrial revolutionized society. In the story, the main character, Ebenezer Scrooge, is a greedy, rich accountant who is visited by his old business partner ghost, Jacob Marley. Marley's ghost tells Scrooge that he may face a penalty of becoming a lost soul if he continues to value money more than anything else in his life. He also foretells that Scrooge will be visited by three other ghosts that will give him the chance to redeem himself, and he can break an iron chain of greed that he has woven. Each time a ghost visits Scrooge, he will become more aware of the failures of the society he lives in. The ghosts will also let Scrooge see his contributions to those failures. As Dickens writes the story of the three visits, we are able to out more about Scrooges inner self-character. We learn this about him as he finds out about his own fellow man and his community. The crux of the story is alluded to in the ingenious metaphors Dickens creeates to illustrate his own reflection on Nineteenth Century society. In the beginning of the story, Scrooge and his assistant Bob Cratchit are working at Scrooge's counting house on a very cold night, Christmas Eve. Scrooges offices are nearly freezing, because of the dreadful weather. They depend on using coal to keep warm. Scrooge is satisfied with a very small fire that he barely keeps going. More than that he thinks is unnecessary warmth. On the other hand, Bob Cratchit's fire is nothing but one dying morsel of coal. "Scrooge had a very small fire, but his clerk's fire was so very much smaller that it looked like one coal." The irony in only using a small piece of coal is that they both had two entirely different reasons for not using more coal. Bob Cratchit is...

Precise Software Essay Example | Topics and Well Written Essays - 500 words

Precise Software - Essay Example If they do not launch the product, they might be losing an opportunity of a first mover advantage in the market. The company might lose the novelty of the new product, because other companies are always in the developing spree and might come up with something similar in short period of time. Having analyzed the risks associated, there are three main issues which Precise is facing and if addressed can help to arrive at a decision. (a) When to launch? Within the answer of which lies the explanation for key issues of new product planning and development (b) How to Market it? The answer to that question should suggest correct segmentation analysis and valued marketing strategies to attack the targeted segment (c) What is the best price? An in-depth study of ideal pricing strategy and one which matches with its sales and marketing strategy should be undertaken by Precise. Analysis: Precise is still under the planning and development stage and the product is a novice in the market. Precise is carrying reputation risk and risk of losing its customers. When weighted with the benefits of an early launch, I feel Precise should not launch it in OpenWorld 2000. There are two scenarios which crops up if it’s launched.

Police Patrol & Different Patrol Programs in New York Assignment

Police Patrol & Different Patrol Programs in New York - Assignment Example For the most part, most people will meet up with the police on the streets or highways, when stopped for traffic infractions. Therefore, in downtown areas, it is good to have another presence, that of the police officer who is available to the public and who provides more a level of protection rather than of fear. Introduction Police departments in any city maintain their presence through a number of ways: foot patrols, bicycle patrols, patrolling neighborhoods in squad cars or motorcycles, and in some areas, horse patrols. The patrol system is the means by which the police are able to interact with the communities they serve and build relationships of trust and respect (Craven 2009). When neighbors in a community get to know who is patrolling their sector, then they are far more likely to confide in the members of the police that they see on an almost daily basis (Shelden 2003). Generally, members of the police department are assigned to a ‘beat’ which means they get to know the area through its streets, buildings, businesses, and homes that are part of the individual’s sector of patrol (Hunter & Barker 2011). Accordingly, as part of this beat, police officers get to know the people who live and work in the area and are able to build relationships with local people. ... As large cities had numerous neighborhoods to contend with, as well as business districts, the police were required to walk their beats which also provided opportunities to get to know the people in their area (Craven 2009). In the early days of foot patrols, this was the preferred method of patrolling the beats until bicycles, and then cars, were utilized. Bicycles allowed the police officer to get to one area of his beat to the next spot quicker than ever before. When the automobile was brought into the patrol system, then the police could get around in any weather and go wherever needed, at any time, as well as be able to transport prisoners (Hunter & Barker 2011). It also provided a sense of protection for the police officer, particularly in dangerous areas. Some cities also had the horse patrols in earlier years although maintaining horses could be somewhat expensive. As a consequence, horse patrols were used more often for ceremonial purposes than the actual police beat. New Yo rk City is famous for having a horse division for some of its patrol sectors (Cordner & Scarborough 2010). In other areas of the United States, the motorcycle is the alternative to the car patrol and is more likely to be a part of ceremonial processions rather than horses. 2.Traditional policies in community relations refer to engaging with the public in the various communities which are patrolled on a regular basis. There are several levels of community operations and interactions: individual, as a group and also, as political actors, whereby the police tend to represent those who are in legislature of the city or state under which they work (Hunter & Barker 2011). While the police officers can maintain a friendly attitude towards members

Representation of Genders in the Media

Representation of Genders in the Media Course Diary Entry 1 Liesbet Van Zoonen: Feminist Media Studies (chapter 6, pp 87 104) 1. ABSTRACT The sixth chapter of Van Zoonens book Feminist Media Studies, Spectatorship and the Gaze, provides a compelling introduction to the area of feminist film studies, more specifically, to different issues surrounding the concept of the gaze. Van Zoonen draws on the arguments of Laura Mulveys work, who used psychoanalytic tools in explaining why women are presented in the media as being looked at and men as the ones who act. Van Zoonen stresses the difficulty of the proponents of psychoanalysis to explain the pleasures of female spectatorship, which, nevertheless, can be accounted for by employing different perspectives on media studies. After discussing ideas regarding the male gaze, Van Zoonen turns her attention to the way images of men are presented in popular media, emphasising the fact that, out of fear that their image could be homosexualised, different methods and narrative codes are employed in order to make the objectification of male bodies less evident. Hence, the traditional perception of men being the ones who have the power and women the ones who are looked at is still in place in patriarchal cultures, even though there are signs of trying to put it aside. 2. OUTLINE women are constructed in western popular media as being the passive object of the male gaze, whereas men as being the ones who act; the psychoanalytical paradigm was employed to explain this state of facts a) Laura Mulvey used psychoanalysis in her study of gender media representations as a useful tool in explaining the pleasures of male spectatorship, though failing to explain the independent female pleasure of looking at men scopophilia the deriving of sexual pleasures simply by looking narcissistic identification the desire of men to identify themselves with other men, presented on the screen as flawless characters the film industry is linked to patriarchy, according to Laura Mulvey; both scopophilia and narcissistic identification are achieved by the way filmmakers frame the action, including the objectification of women the male gaze fear of castration the trauma suffered by boys when discovering the physical gender differences is diminished by the way male spectators take control over womens bodies in the film industry one of the problems of the way Mulvey employed psychoanalysis it equates masculinity with being male and femininity with being female b) Mary Ann Doane contends the impossibility of reversing the gender roles (i.e. men becoming feminine and women masculine) no preconditions of voyeurism in women in childhood women do not experience the distancing from their mothers that boys do because of the sexual differences the female spectator can become masculinized by identifying with the male characters in the film or narcissistically identifying with objectified female characters c) criticism of the psychoanalytic paradigm: it reinforces the patriarchal norms by excluding the possibility of women to derive pleasure from viewing media products Women derive pleasure by looking at other women the psychoanalytical paradigm and beyond a) some argue that the bonding between girls and their mothers creates the pre-conditions of finding pleasure in looking at other women b) women have coexisting latent homosexual and manifest heterosexual desires Chodorows theory of female development c) Arbuthnot and Seneca assert that the psychoanalytic theory is concerned with male spectatorship and thus not appropriate to examine female experiences and motivations Women derive pleasure by looking at men a) Christianity repressing the abundance of nude representations of men made the patriarchal order imperceptible, whilst it still is the substratum of most societies b) the female gaze which is masculine by definition looking at the male body is less dangerous than the homosexual gaze c) narrative and visual techniques lessen the degree of subjection of the male body to the gaze of the female spectatorship e.g. staring back at the viewer, looking up or away from the camera, the text accompanying the images personifying male bodies and thus creating characters men presented as active (e.g. signs of physical activity or labour) and in control, just happening to be looked at, not as posing specifically for being viewed by female or male spectators male bodies presented like romantic objects, not sexual ones (e.g. Playgirl) 3. LITERATURE REVIEW The three chapters I have chosen Kaplans (1983), Staceys (1988) and Van Zoonens (1994) which do not offer a comprehensive discussion of the issue of the gaze, draw on the psychoanalytic explanations of the male gaze and attempt to explain which are the pleasures derived by female spectators watching media products. Hence, all authors use Laura Mulveys and Mary Ann Doanes ideas as a starting point for their discussion; Kaplan argues that psychoanalysis is a useful tool [] [, but not] necessarily uncovering essential truths about the human psyche (1983: 23). She further argues that it can explain only the current structural organization of society, which, I would argue, is a Marxist perspective; in her view, cinema is seen as a means of releasing the tensions created by the industrial society and psychoanalysis as a necessary means to understand the causes of these (Kaplan, 1983). Stacey (1988) identifies the gaps in Mulveys line of argument, more precisely the discussion of the male as an erotic object (which Van Zoonen analyses) and of female homosexuality, and exploits the latter to address one of the issues tackled in little depth by Van Zoonen (1994): female homosexual pleasure, which has been ignored by studies within the psychoanalytic framework. Stacey (1988), like Van Zoonen (1994), draws on Mary Ann Doanes idea that womens pleasures are not related to fetishism and voyeurism, as mens are and further acknowledges Mulveys argument according to which women oscillate between male and female identifications. In discussing possibilities for understanding and explaining the female gaze, all three authors argue that the reversal of roles is impossible without losing the specific gender identification; the female spectator becomes masculinized and vice-versa, and thus the structure remains basically unchanged (Kaplan, 1983). Stacey (1988), as does Van Zoonen (1994), rhetorically asks if women necessarily have to occupy feminine positions and men masculine ones. I would suggest that masculine and feminine actually refer to a set of characteristics associated with men and women respectively only because it has traditionally been thought that they occur more often in the specific gender from which their names derive. Hence, they are not intrinsic to men or women. However, there remains the problem that they are in opposition, not on equal terms. Moreover, if these names which refer to gender and sexual roles would be disregarded, I think it would not be a problem for female spectators to adopt an active (masculine) stance anymore. Further discussing the feminine and masculine spectatorships, Stacey (1988) contends that the subjectivities of spectators should be also taken into account, even if their standpoint is seen as masculine. Kaplan notes, drawing on Mary Ann Doanes argument, that if attempting to confer female spectatorship an active role and not masculinizing it, there is the danger of denying pleasure and of disembody[ing] their spectator (Kaplan, 1983: 28). An active main female character nearly always loses her traditional feminine characteristics in so doing [] of kindness, humaneness, motherliness (Kaplan, 1983: 29). The problem with this statement is that all these characteristics of femininity are actually constructed in the same way as concepts like active, sexually desirable etc are. Therefore, Kaplans statement does no justice to the role of the female spectator. The dominant images of women, all male constructs, as Kaplan (1983) emphasizes, are the objects of male fetishism and voyeurism, as all three authors mention. In addition to Van Zoonens (1994) overarching discussion of these Freudian concepts, Kaplan (1983) points at three male gazes in popular media, identified by Laura Mulvey: that of the film-maker, of the film viewer and of male characters in the film. According to this explanation of females position in the film framework, Kaplan argues, the man owns the desire and the woman (1983: 27), whereas female spectators only receive and return the gaze but cannot act upon it (1983: 31). Hence, male and female spectatorships are different in essential respects. All three authors have a feminist standpoint in common from whence they look at the representation of women in popular media. Stacey (1988) is probably the most dedicated of all three to the feminist cause, discussing issues which are taboo for other scholars (feminist or not): the homosexual female spectatorship. The arguments they bring forward overlap, being complementary in the respect that all offer new information. However, they do not discuss each others contribution to the feminist debate mainly because all three (Stacey to a lesser degree) offer an overview of the arguments brought forward by Laura Mulvey and Mary Ann Doane. All three concluded by pointing to the need of further discussing the sources of pleasure for female spectators both in relation to men and to other women. Moreover, the problem of confounding gender identifications with sexuality in film studies has also been stated as being an issue. 4. CROSSCUTTING THEMES The issues concerning the representation of genders in the media is one of the most important areas of concern for feminist scholars because of the many assumptions hidden under what comes across as common-sense. Nevertheless, this is only one of the issues in which feminists are interested. Among the general concern with the resources of conferring women a secondary role in patriarchal societies, feminists address issues of work and employment, and of motherhood. These two themes have several links with those raised by Van Zoonens chapter on the male and female gaze in popular media. One of the most evident crosscutting themes is that of womens passivity and male activity and control. As we have seen in Van Zoonens chapter (1994), female spectatorship is constructed as being passive and to be looked at, whilst male spectators act upon women by looking at their objectified bodies. Witz (1993/1997) asserts that women have traditionally been seen as having the natural duty to do the domestic work, not men, and that feminists struggled to determine the official recognition of this second job women performed. At least since the 18th Century, when the Victorian Domestic Ideology constructed women as passive, men have had the active role in a family, working in order to earn a wage for the household. Women, on the other side, have been seen as confined to the private sphere of life and, thus, as being passive since they did not have an active role in the public sphere, as men did. This way of seeing women as inferior to men has survived until the present day, when women have also acceded to work positions, and it can be easily seen in the structure of the labour market and in the representation of women in the media. The images of women in popular media, as objects of the male gaze, are opposed to representations of motherhood in different cultures. Reynolds notes that the good mother is endlessly patient, forgiving, nurturing and, most important of all, unfailing in her love (1996: 41); this characterization powerfully contrasts with the images of women as sexualized objects or as secondary characters who only disrupt the narrative. For children, mothers are the main characters of their stories and are entirely feminine (whereas the character of a mother in popular media would be either masculinized or it would be the object of the male gaze). Nevertheless, as Reynolds further argues, the problem is that in reality mothering [is] synonymous with subjugation (1996: 42). Moreover, motherhood is linked with psychoanalysis and the way boys suffer a trauma when they discover their difference from their mothers. In conclusion, the chapters I have looked at on different topics written by feminists share the same view that women are currently oppressed in patriarchal cultures. Women share subordination roles in media, at work, in the family etc. However, the hegemony of patriarchy is most evident in media representations of women. References: Kaplan, E. Ann (1983) Women and Film: Both Sides of the Camera, London and New York: Routledge, pp. 125-141 Reynolds, Kimberly (1996) Mothers in Madoc-Jones, Beryl Coates, Jennifer An Introduction to Womens Studies, Oxford: Blackwell, pp. 38-61 Stacey, Jackie (1988) Desperately Seeking Difference in Gamman, Lorraine Marshment, Margaret (Eds.) The Female Gaze: Women as Viewers of Popular Culture, London: Womens Press, pp. 112-129 Van Zoonen, Liesbet (1994) Feminist Media Studies, London: Sage, pp. 87 -104 Witz, Anne (1993/1997) Women and Work in Robinson, Victoria and Richardson, Diane (Eds.) Introducing Womens Studies, 2nd edition, London: MacMillan, pp.239-58

American Well Case Writeup

American Well, a pioneer in online healthcare is at the crucial stage where the business opportunities look propitious at the same time it could make the company lose its perspective. It has the first-mover advantage with strong core competency. But still, some of the questions concerning the future of the company do needs to be addressed. Some of the main questions that American Well faces are 1. Introducing the product to new customer segments 2. Capturing the international market 3. Pushing the products beyond health care industry.American well is currently serving the connectivity between patients and physicians. The new product â€Å"Team Edition† will serve the connectivity between primary care physicians (PCPs) and the specialist. They are also considering the prospect of online health care to Hospitals, Retail clinics and Pharmacies. The adverse effect is it could be too soon for American Well to launch a new undertaking, given their core services has not yet been adop ted widely. Furthermore, this requires new hiring and additional funding. Stepping back has its own drawback of failing to capture the opportunity when there was demand.Meeting real-time excess demand with real-time excess capacity is a whole new world to be explored not only in health care but in many other industries. Also, the need for online health care has a great demand oversees too and American Well can explore its business in these new countries and can become a world leader in delivering virtual healthcare services in a many-to-many platform. Even though it is true that American Well has all the ideas and advantages – the main disadvantage is the lack of infrastructure and the awareness of an internet-based health service.There is still a lot of opportunities and work needed to be done with its present venture and stepping big foot too soon cannot be as beneficial for the company as it sounds. The â€Å"Team Edition† is an innovative product and the American W ell should concentrate on its existing customer base i. e. the payers. They should probably do extensive market research on all these new opportunities. A research team could be formed including members from American Well and personnel from top insurance companies to explore the scope of extending its services to hospitals and pharmacies.They should wait for the â€Å"spending freezes† to be over and need to analyze on how the new health reforms will affect the existing organization. Another conceivable strategy could be a hybrid of Direct-To-Customer model and Business-To-Business model. American Well can establish a DTC model where they would directly sign up patients and doctors to a nationwide system along with their existing B2B model. This will cover more customer base. The short term goal